Back to painting on board this week after 2 months of canvasses. I also returned to using acrylics for the underpainting (I kept the ones out I used for the violin). Four layers of an ultramarine-raw sienna wash were first applied and then the loose painting you see above. This initial step knocks back the bright white of the gesso ground, since I paint in thin layers the underpainting allows me to start building the color and light right from the get-go. This will be a moon lit scene, with a piece of Red Velvet Cake hovering over the lake, this should be fun.